PA3CLQ's Leuke Linken Nr. 476
Instructograph Simulator of Ted Wagner's continuation
DR N1EA wrote me:
Here is a link to the Instructograph ISO file:
to my last, here is a folder that has the extracted files and folder system.
is within a folder I have for the Morse Telegraph Club:
I also have W4FOK's MILL Program there.
Editor....See uploaded by djringjr on September 11, 2014
For details instructograph see:
73, David Ring N1EA
About W4FOK's MILL Program
From my PLL Nr.375 David R wrote:
Men and Women of the Telegraph Key,
I have just placed on my web site a True Type (Windows) font for a
Telegrapher's MILL which I made by scanning my ROYAL (USA) Typewriter with a
Telegrapher's keyboard - slashed zero and so forth!
You are welcome to non-commercial use of this font.
Save the file to the desktop, then go to CONTROL PANEL and find FONTS and
use the applet (small application) to install the font.
How Much Did it Cost to Send a Telegram ?
Journal of the Telegraph, Jan 1, 1877, vol. 7, p. 168, states that WU's "average toll" on a message in 1868 was $1.10, and in 1874 the "average toll" was $0.55.
I ran these numbers through an inflation calculator and the results are:
1868 average toll = $17.92 in 2016 USD
1874 average toll = $11.09 in 2016 USD
So sending public telegrams was not a nickel-and-dime novelty !
73 SW & (abram burnett) SlowSpeedWireGroup
Telegrams today cost around $30 (or more),,,,,,
so it's gotten more expensive in recent years.
You would think it would be cheaper but it's not.
Demand is low, but perhaps supply is even lower, which is why it's expensive.
Why do similar sounder sound so different(ly) ?
Take two otherwise identical sounders.
Same maker, same coil values, same construction, same adjustment, same operating current, and resting on the same surface.
One produces an absolutely dreadful dead, clunky tone, the other produces sharp, crisp dotting.
Worked at speed, the one produces a roar which overpowers the distinctness of the lever strikings, the other yields a delightful stream of easily distinguishable staccato reports.
Whether in "as found" condition, or rebuilt.
Is it the wood used for the bases (hard vis-a-vis soft,) or is it the metallurgy of the brass?
More importantly, how does one change the sound quality of a dead, clunky sounder, and make it bright, crisp and alive?
I should add that I have performed the "fishing line test" on these sounders with disparate tone, suspending them in mid-air with fishing line, so that the tone they produce is not modified by the surface on which they rest.
The clunky ones still sound clunky, and the crisp ones still sound crisp.
One more thing to add... I work my favorite sounders in resonators.
Under each sounder I insert two strips of styrofoam, about 1" thick, and make sure that no part of the sounder or its base contacts the resonator structure.
This insulates the resonators from transfer of mechanical energy given off by the sounders.
By this ploy, the distinctness of the clicks is preserved and is not transferred to the wood of the resonator, where it tends to become a roar of "woody thunk."
(And I >>never<< screw a sounder down in a resonator!)
73 SW & (abram burnett) SlowSpeedWireGroup
I suspect it's a combination of factors.
Certainly, brass may have different densities and other metallurgical characteristics that arise during the manufacturing process.
Even if wood is of the same type, it's density varies due to densities in lumber as it is processed in the mill.
Another factor is likely the resonator or platform on which the entire sounder assembly sits.
As an exercise, take a standard main line sounder and move it to different tables and surfaces.
As the sound is conducted into different surroundings, it may range from sharp to a dull thud.
A sounder creates a surprising amount of vibration.
I suppose it's not unlike the behavior of musical instruments.
Identical guitars or violins have different characteristics, even when played expertly by the same person.
Performance spaces change the sound as well.
Just my speculation.
I usually like a direct mechanical connection between the resonator and the sounder as well. It tends to soften the report somewhat.
My favorite combination is the WE 3C aluminum lever sounder in a resonator.
It's a nice balance between a clean report and sufficient resonance to make it pleasant to listen to.
73, James Wades
Yes, I find that with the sounder attached firmly to the resonator, it improves the "fullness" and "penetration" of the sound.
I can feel the vibrations by just touching the resonator surface both with a classic resonator type and with the two WU press units I have, the over and under and the side by side.
73, Chris Hausler
1930's style QSL's
Im working on some vintage 1930's QSL designs I may offer online on a limited basis.
Richard Conner SKCC Group
I'm not sure if this will be helpful, but the following issue of the "QNI Newsletter" has a few scans of 1920s and 1930s QSL cards interspersed
throughout the issue.
73, Jim Wades (WB8SIW)
I also enjoy vintage QSL cards, especially cartoons, and more especially Phil Gildersleeve.
My card is at:
I did somewhat opposite as you. Instead of adding in aging
effects, I took an original, yellowed card and digitally cleaned it up. (Much
higher resolution than shown on my web page.)
GL es 73, Mike ab3ap
An image database of SKCC member QSL cards has been set up.
See attached jpeg,
or you can access the db here:
Feel free to add your own cards, present & past.
Directions are on the db page.
73, Drew AF2Z
The art of lacing is still used in the aviation industry.
Here is a you tube video.
Also in telecom technology.
I I did this already in 1964 at a provincial electricity company.
In my PLL Nr. 1 of 30-01-08 was the following URL.
It's still nice to watch
73, JP PA3CLQ
you have a cootie/sideswiper please add it to the SKCC key database here:
are approx 40 entries in the list but only two sideswiper keys.
(You can sort the list by clicking on the column titles.) Include a photo and/or youtube video link also if you like plus your comments about the key.
keys are certainly welcome as well.
73, Drew AF2Z SKCCGroup
October 31 edition of Space Weather, from Tamitha Skov.
73, Darrel, aa7fv.
In a message you sent you included:
Remembering the Seventies where I had the chance to observe our Iono in real time is just the same as watching the interlacing various clouds in the sky... where you can observe the various F layers moving and changing every seconds is just amazing !
Guess scientists are approaching a certain level of accuracy but since the many
parameters are changing so rapidly it will be impossible to reach a 100%
accuracy in HF. In other words they just can't beat our Creator ! (Darrel, the
scientist, might have his word on my citation?)
A good friend of mine (G3SCB), who used to be employed making ionospheric predictions for the British government, recently made the comment to me that the current state of ionospheric knowledge is a little like weather predictions were in the 1950s.
still have relatively few ionospheric sensors.
This image, from a recent issue of Geophysical Research Letters, gives the first (and only) direct wide-angle snapshot of ionospheric ducts.
straight lines are geomagnetic field lines.
The observations were taken with the Murchison Widefield Array in Western Australia, operating in this case at 183 MHz.
It is a snapshot of the ionosphere above the radio telescope at that time.
With the ionospheric structure being this complicated, changing all the time, and given how few ionospheric sensors there are around the globe, I think it's amazing that ionospheric predictions are as good as they are.
I prefer to use real time propagation measurements, such as are given by WSPR reports or the Reverse Beacon Network (RBN).
is much better, and Europe is excellent.
Jean, how about setting up a WSPR station, either just transmitting, just receiving, or better still both?
While taking care of the Belgian Foreign Affairs Radio Network from my Base in Washington DC I came across with a company called Barry Research, Sunnyvale,Ca showing equipment at the AFCEA show at the Sheraton Hotel in 1972.
A few years later the company changed name for B.R. Communications led by Dr Fenwick an Larry Peden, both ex assistants from Stanford University.
The HF Oblique Chirpsounder for the Ionosphere observation in real time.
The sweep time was invariably 4'50" from 2 to 30 Mhz an in order to get correlated data it was mandatory to be highly synchronized so we were using Cesium clocks, WWV, etc...
The idea behind this was to provide Real Time HF Links mainly for the military, various other services and Universities for further research.
Then the unexpected Falkland War erupted, the British invaed Sunnyvale and bought everything we had on shelves, so the mass production started from there, the Chirp Sounder was something anonymous and we started offensives to have it approved by the Military and the ITU.
The US Military decided otherwise by accepting our product under AN-TRQ-35V from there all British Forces have been equipped, followed by all US forces including AWACS, Saudi Arabia in full, Australia, South Africa, Greece, Jordan, for their Universities, Belgium for Foreign Affairs, no accepted in Germany because of the chirpy sweep 2 to 30 Mhz, I made 5 presentations in Egypt too, it was a fantastic tool to determine circuit faisability and its reliability.
On a quiet Qrg you can still hear the chirp passing by as many users are still having their Chirp system working around the world, probably less and less but I can hear some every day.
A big advantage was the ability to detect all sporadic layers anywhere along the path...
Again amateur radio were involved in this with Dr Fenwick, K6..., Larry L Peden W6... and others...une
26 to 35
http://www.bowenaerogroup.com/part-list-16/5895-01-177-6014.html AN/TRQ 35V
http://www.dod.gov/pubs/foi/Reading_Room/DARPA/301.pdf Sounder cited but could not find it !
The price of such gear was HUGE lets say 60K xmit and 60K Rcv
Best 73s Jean 5T0JL
Many thanks for the fascinating background.
links you gave are fascinating too.
Several years ago, probably in the mid or late 1970s, there was an article in Radcom from the RSGB about receiving and using several chirp sounders that could be heard in various amateur bands.
The chirp radars were easy to detect, but I never set myself up to decode the sweeps - which as you say, involves very precise timing - although I always wanted to do so.
the DARPA document you quoted (see below) I found several references to the
On page 9-1:
Another spin-off was an oblique chirpsounder now in use in the ANffRQ-35 frequency selection system for high-frequency military radio communications.
I think this is what you are referring to.
On page 9-3, there's another reference:
Another early result from this same group was the Barry high-frequency sounder, using a low power, continuous-wave, digitally controlled, highly linear frequency-swept signal, (FM-CW).
A significant achievement of this digital sweep, due to G. Barry, was that it preserved phase coherence.
ll This technique and the associated digital-processor and receiver equipment was used to obtain high range resolution and select favorable frequencies for OTH radar.
it became a key part of the AN/TRQ-35V tactical frequency management system for
HF military communications.... with mention in footnote 12:
Earlier Navy poor experience with a major investment in other HF sounders led to rejection of the Barry Sounder for nearly 10 years.
There are other instances quoted in the document.
All very fascinating stuff!
for the info.
Cheers, Darrel, aa7fv & g3sys.
Question about dit length about a SideSwiperKey
Does the design affect dit length?
Shorter dits are best so which one of these does best?
A, B, C, D, E, F.
Wow, where does this come from?
Who says shorter dits are better, does it really matter anyway and why?
If we are talking about sideswipers, and as we are are on the SSN reflector I imagine we are, in my personal opinion I regard sideswipers as being a means of sending your own personal interpretation of the code and as that involves differing dah lengths then dit length should also be of indeterrninate length to suit your own particular style.
However, I think you are thinking about dit length in respect to the design of the key which in the case of a bug could be the case, whereas with a cootie the dit length is entirely down to the operator..
I tend not to think about it really, Steve, I just get on and do it, it quickly becomes obvious if folks don’t like my style of sending 'cootie style' by their responses and I have even had some hard criticism on air once or twice. All in the game!!
Just my thoughts Steve. 73, Nigel Ackland
I think that all designs do the same dit length.
73, Med cn8yr
I didn't intend to insult folks here.
Yes, it matters Nigel.
Many Cooties lack sufficient gap between dits and much has been said about how to prevent this.
One common method is to use a rather wide gap between the contacts or keep the finger and thumb some distance away from the paddle.
Doing this increases travel time and increases the time between dits thus reducing the characteristic "slur" some have.
My question involves the mechanical construction of the key and whether any particular design is more favorable for increasing the dit gap and coming closer to the ideal 1:3 ratio.
Yes certain you can wax elephants all day about personal touch and your right to individual taste etc. etc.
I just asked a simple question here.
It's more about physics than anything and yes "it's down to the operator" to a degree however let's look at the mechanics as a way to improve our sending.
73, Steve N4LQ
As the dits that follow each other ( H, 5, S) are made simultaneously on the left and right side, the position of the lever relative to the contacts does not matter.
What is important is the distance between the contatcts.
The closer they are, the shorter the dits will be.
For example if you want to send 5 in B design, the first dit will be shorter than the following four.
For the dashs, you have to slow down the wrist movement, and try to find the exact speed giving the ratio you like to hear.
73, Med cn8yr
Med: Don't you mean the closer the contacts are, the longer the dits will be?
At least that's what I experience.
The reason is because the gap between dits is shorter due to the short travel time.
What I would like to discover is a mechanical way to force a long time gap between dits without having to increase the swing to a large degree.
A cootie key is much more complicated than it looks.
Good sending depends on spacing and tension on the lever and the bending of the lever (if it's flexible).
If you have too close spacing, you are apt to slur the dots.
Adjust the key for clear well proportioned code elements.
Otherwise good enjoyment on your enterprise.
73, David N1EA
I was hoping to hear some terms like inertia.
Inertia acts to keep an object in motion or prevent it from starting.
Would it seem prudent to have the lightest weight lever possible?
Would aluminum vs. brass make a difference?
What about spring compression?
I have a cootie with springs that begin very easily but toward the end they are very stiff and tend to garble my sending.
N1EA mentioned "bending" ... Now that's an interesting one.
With a solid lever the cootie is like a hammer.
You can feel it.
The hacksaw blade has a soft touch.
Bending might help keep the contacts clean as there would be a wiping motion similar to that of a relay contact.
Even though I'm new to using sideswiper,
I believe that just as different operators can generate different QSDs using the same Straight Key without the need for any adjustment changes.
I think in relation to sideswiper we have the same situation.
What defines the final QSD first is the operator technique, the characteristics of the key are in the background in order of importance.
On sideswiper has no way to blame the key for a bad QSD, all the quality depends on the control and skill of the operator, it's like a cursive handwriting.
73 PS7HD Nat
Obviously skill and technique matter but some key designs will take more skill than others.
For example, if we make the lever weight 10 pounds it will slow us down.
If we make the finger piece too thick or the height thereof too high our sending will suffer.
I'm looking for objective things we can do, not just elusive imaginations about skill.
Look at the many designs attempted on the bug like how Bunnell's Gold Bug was such a flop along with the Vibroplex Model X. Why?
Some things work better than others regardless of operator skill.
To use the sideswiper was my biggest challenge among.........
all cw keys, many give up because of the difficulty presented.
The sideswiper itself is an essential key, very simple and elemental in its construction and "anatomy", in use it gives the operator viceral feedback, it becomes an extension of who you are.
It's a cw key, but in my opinion it's a lot more a
73, PS7HD Nathan Fernandes
Check this out.
J Mot Behav. 1981 Mar;13(1):1-8.
Technical considerations regarding the short (dit)-long (dah) key press paradigm.
The finding of longer reaction time prior to longer-lasting responses (e.g., Klapp, 1977a; Klapp, Wyatt. & Lingo, 1974) was not replicated by Kerr (1979) in a statistically powerful attempt.
The present experiment confirms that this effect is not reliable when duration knowledge of results is similar to that used by Kerr, although a reliable long-short effect was obtained with other knowledge of results arrangements.
This unexpected sensitivity to knowledge of results suggest that previous results from this paradigm must be interpreted with caution.
Just kidding.....I have no idea what the above means.
I appears to me that design "D" would have the most tension on the lever so would demand smaller contact gaps and thus create "shorter" dits which would allow higher speeds?
Wouldn't the speed of the dit depend on how fast you actuate the lever.
As speed increases, dits get shorter.
I don't think the mechanism has anything to do with dit length.
I prefer somewhat larger gaps for my keys than I would usually set up with the key in paddle mode.
It forces me to slow down a bit and pay attention to my character and word spacing.
When the op on the other end tells me that he thought I was using a paddle instead of a swiper, that's when I know I'm doing good.
Of course I've been scolded as well for even using a swiper!
Anyway, for me it's about building a great key that's fun to use and easy on the eye.
I've been using swipers almost exclusively for over 5 years now and using anything else seems weird to me, but I do enjoy the occasional sk, bug and paddle adventure!
Control and Timing is the key.
Don't try to stop the movement when making a Dit or a Dah.....practice your timing and your follow through.....the SLOWER you are able to send accurately the more control you develop for any speed.
Much easier to send fast but control is key imho..
73, Pete W5PEH
Wow, I agree with Nathan.
I have a home brew made with a hack saw blade that is very light and a Begali Sculpture Swing that is quite a bit more stiff.
They feel completely different.
I can switch keys in the middle of a QSO and you can't tell the difference.
There may be some effect for sure on how the key responds but how the spacing works is mostly the operator.
Thats my two cents worth!
Further to the discussion on weight of movement.
I have a home brew hack saw blade key which is very light to use and a Begali HST which is a more positive feel.
The home brew is much more flexible and will twang effectively at the end of a QSO.
the Begali is much better made I still prefer to use the home brew
73, John M0HTE
Cootie Wacker? Give the ham a bone, and QSD goes rolling home.
73, David Ring N1EA
At the end of the day, or ultimately, a dot is a dot until it becomes a dash , problem solved !
No sarcasm intended !
Steve - N4LQ and the group,
Thanks for starting this interesting thread Steve.
I agree with our SSN expert panel, good stuff.
Pete says, "Control and Timing is the key."
On the mechanical aspect, I noticed that for a given force applied to the lever, and for a given gap between the moveable contact (lever)and the stationary contact, if the moveable contact is:
- A "sprung contacts" (tiny flexible strips of brass or steel); this provides a cushioning effect that tends to produce "longer" code elements.
The action is very smooth and quiet.
recommended for fast sending, > 30 WPM.
- A contact directly mounted on the lever; the sending is much more responsive but the action is noisier, clickety-claks.
fine for QRQ.
Good luck and happy swiping Steve!
My sideswiper keys
Nathan Fernandes PS7HD
Which sideswiper do you like the best?
Also that looks like one of of Phil Boyle's PS-213 copies at
or perhaps Alberto I1QOD's copies?
Both are excellent keys..
73, David Ring N1EA
Allen, very grateful for the comment, I'm new to sideswiper but I'm excited, hi.
David, I love PS213A, the one I have probably is a very old replica built in Brazil, Phill or Alberto's look excellent, I regret that they did not make a perfectly faithful to the original design, certainly would sell much more if they built a PS213 identical to the last one produced (Rugby), but prefer to make a personal version,
I think the Rugby version of the PS-213 key is a later version around 1983.
The version called the Portishead version took the old key - many had failed over the years because the long contact tongue with the silver contact eventually broke.
They turned around the little platform in the back and then shortened the tongue.
On the Portishead keys, the rear contact platform looks like a C but it is facing away from the operator.
The original PS213's had the C shaped contact platform facing the operator.
See the original PS213 in the first two photos, and the reproduction PS213 by Phil G0NVT below it.
this with the Rugby Portishead version below these.
Phil G0NVT refurbished this original PS213. Note the long steel tongue at the rear contact.
G0NVT tried his hand at a copy of the PS213 and made a custom modification to the key - one that it really needed - a base to prevent it from tipping when being used.
Back around 1983 Portishead Radio at their Rugby shop refurbished some of the old PS213 keys in use.
Notice the very short contact tongue and the contact platform C shape facing the rear of the key.
The Rugby shop moved the base around so that it fit the shortened contact tongue making the key "stiffer" when sending and they also put a needed base on the key so it would not tip over when in use.
Photo from N1EA collection.
73, David N1EA
a nice day gents, BCNU.
73, Yann, F5LAW.
By OM Yann F5LAW SideSwiperNetGroup
73, from the town at the rivers "De Bergsche Maas" and "De Dongen" Geertruidenberg (800+ years city rights) at: 51.702211N 4.853854E
Editor Jan Pieter Oelp PA3CLQ
My simple website about Gigantic DF-Antennas
Part 1 "DF-Antenna Wullenweber Array"
Part 2 "DF-Antenna USSR Variants"
Part 3 "DF-Antenna USA Variant"
Next Part 4 "USSR OTHRA DUGA 1,2 & 3" at: